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26 February 2021

Shrewsbury Morris and their 102,000 twitter followers

So just how did Shrewsbury Morris take twitter by storm and grow their audience to over 102,000 followers?  We wanted to find out more, so we invited them to talk to our membership on 21st February. Graydon Radford, their twitter guru, and Ray Langton outlined the journey the Shrewsbury Morris Twitter account had taken; they outlined the rationale, top tips, issues, awards and other things they encountered along with how the use of social media has embedded the presence of Shrewsbury Morris into the town of Shrewsbury and the benefits it has brought to the team.

Brian Kelly, a Morris Federation volunteer, reports:

“The story Graydon Radford told to an audience of about 40 probably resonated with most of us. He described how over 10 years ago a conversation with his dentist revealed that, although the dentist had lived in Shrewsbury for over 25 years, he’d never heard of Shrewsbury Morris.

“We’ve probably all asked a similar question: “How do we become better known within our community?” often followed up with “And how do we recruit more dancers?”  But we won’t have been successful as Shrewsbury Morris in engaging with their local community, with their successes in raising sponsorship from local businesses and promoting local charities leading to two local awards. And this was followed by national and international recognition. 

“How did they do this? Initially they experimented with Facebook – and their Facebook page is still maintained. But their success was due to the passion and commitment to – and a fair amount of experimentation with – one particular service: Twitter. 

“And the evidence of the success: the @shrewsmorris Twitter account has over 101K followers – or that is what the publicity said when the Zoom meeting was first announced, but it’s now 102,750 followers! 

“It all began about 10 years ago, when the team was at a bit of a low point. The team had displayed posters around town and submitted articles to the local press but had no joy. And the need for people to recognise the team was highlighted when they received a comment: “We saw you dancing on Saturday“ but it was a different team – Shrewsbury Morris don’t dance in all white: Shrewsbury Morris didn’t appear to have a brand recognition in their home town. 

“How to be recognised? How to recruit new team members? These were topics discussed at an AGM 2011. Use of social media was, of course, suggested and the Shrewsbury Morris Facebook page was created. Concerns expressed initially that a social media account was likely to attract trolls turned out to be massively over-stated (4 incidents over the years), and the account continues to this day, with 1,240 people currently following updates to the page. 

“Shortly afterwards it was decided to explore the potential for Twitter – and what a success that proved to be! The simple secret to the success seems to be “be patient; be different; be engaged and be nice!” 

Shrewsbury Morris on twitter“Graydon originally managed both the Facebook and Twitter accounts, but he subsequently focussed on Twitter, with another team member managing Facebook. There were two main goals for the service: 

  • Raise the profile of Shrewsbury Morris 
  • Raise the profile of Morris dancing generally 

“which led to a decision to seek engagement with local community including local businesses and charities. And in an example of the trust which was developed between Shrewsbury Morris and the local community they allow local trusted organisations to manage the Twitter account for a short period. And this has further benefits, as it ensures that the account posts on a diversity of topics and not just “Shrewsbury Morris are dancing out this weekend” 

“The Morris Federation’s Day of Dance was held in Shrewsbury in 2012 – and this proved to be another stage in Twitter account’s success – raising sponsorship.  As hosting a Day of Dance can be a costly exercise the side recognised they needed to raise money. And the Twitter account became the focus of the sponsorship drive. 

“After that success the team decided to set themselves a new challenge: “Let’s see if we can attract sponsors for a year!“ In brief, they did, with a sponsorship income of £1,600 ensuring that travel and meals at festivals are nicely covered! 

“Success breeds success – the team won a Mayor’s award on two occasions; have raised funds to host Zulu Traditions in a number of schools; raised £3,000 for Midland air ambulance and organised a ‘marath-own’: a marathon which can be completed in different ways – which, in Shrewsbury Morris’s case, involved 40 dances in which dancers covered an estimated 26 miles! 

Shrewsbury Morris
Shrewsbury Morris

“Graydon concluded by admitting that running the Twitter account is a lot of work – but its enjoyable work. And he admitted that the Twitter account failed to deliver on one if its objectives: it wasn’t successful in recruiting significant numbers of new team members. It seems there will still be a need for conventional approaches to recruitment. 

“It struck me that the success was due to a willingness to experiment, having a passion for the work and using an authentic ‘voice’, with the support from team’s squire and rest of the team being essential.  

“It also made me think that I should revive my tweeting; I was an early adopter of Twitter in 2006 but stopped using it after finishing work. But it does seem to me that Twitter might be particularly relevant for my local team (Wyld Morris) as it’s our 10th anniversary and will be looking to strengthen links with the local community.  

by Brian Kelly of Wyld Morris, fron near Monkton Wyld, near Bridport, Dorset and Haymarket Rapper of no fixed abode, and former member of Newcastle Kingsmen

Donations from participants raised money for Graydon’s chosen charity – Cuan Wildlife Rescue: https://www.cuanwildliferescue.org.uk

A video recording of the “Shrewsbury Morris on Twitter” talk (58 mins) is available on The Morris Federation’s YouTube channel.

Filed Under: Current Members, News

26 February 2021

Appalachian Clogging Basics – USA style

Here are reviews of a series of 2 workshops on 13th & 20th February to learn Appalachian Clogging basics steps, at 2 levels of experience, both with freestyle improvisation encouraged, run by Abby Ladin and Sam Bartlett from Indiana, USA.  These workshops were a joint Morris Federation and North American Morris Dance Organisation (NAMDO) event.

Level 1 workshop for Beginners

“The first Appalachian Clogging Basics Level 1 workshop on Saturday 13th February was excellently chaired by Pauline Woods-Wilson with professional teachers of dance Abby Ladin teaching & Sam Bartlett providing the music.

Abby Ladin & Sam Bartlett
Abby Ladin & Sam Bartlett

“I joined as a total beginner with slight apprehension but knowing, being one of many, I would soon be reduced to a small image where no-one would be able to see my attempts at the footwork with a slightly dodgy left knee (probably the result of 44 years of dancing with Windsor Morris).  However, I needn’t have worried as we were all immediately told that Appalachian involved a lot of downward movements.

“We learnt that 123 people had joined up, not only from UK but also from Ireland, France, Germany, USA and Canada.  This is the wonderful thing about zoom workshops and it felt good to be taking part alongside a wide group of people from several parts of the world.

“The workshop started with a warm-up, followed by learning the basic step.  I was keeping up so far, possibly helped by having done rapper, so the shuffle step was already lurking somewhere in my muscle memory.  Abby proceeded to explain each new step, first showing it, then everyone having a go before joining it up with the previous step/s, sometimes giving alternatives to choose from, for instance a heel/toe shuffle or toe/toe shuffle, whichever we found best.  This progressed until we had learnt several steps culminating in a freestyle session at the end where we randomly danced the steps we had learnt.

Abby Ladin & Sam Bartlett“This left me looking forward to taking part in the second workshop to be held the following week where Abby went over the steps we had been taught, together with adding a few new ones.  As before, each step was shown, practiced by all and gradually joined up with other steps, once again ending with a freestyle session.

“The workshops were excellent and, as a beginner who had been wanting to have a go at Appalachian for some time, I found the teaching progressed at the right pace to enable me to achieve a good degree of success without feeling totally overwhelmed.   Thankfully the learning can continue as Abby has provided notation for the steps and a recording of the workshop has been made available to those who attended, to revisit the teaching.

by Marian Ballhatchet of Windsor Morris in Berkshire (and former member of Insword Rapper)

 

Level 2 workshop for Intermediate

“I was so pleased to see the inclusion of Appalachian Clogging in this Spring season of online workshops, and judging by the number of participants, so were a lot of members!

Abby Ladin and Sam Bartlet“Our hosts, Abby Ladin and Sam Bartlett promised an hour of dancing, not talking, and we were not disappointed – on both days the whole hour went by in a flash of well-organised and well-presented dancing demonstration and instruction from Abby, accompanied with wonderful playing by Sam on Banjo.

“Overall, Abby’s emphasis was on the sound of the steps and over the two sessions she kept us moving with gradually more complex steps, which could stand alone or be linked together to create a variety of interesting rhythms.

“Initially, this involved dancing fairly simple steps on both the on-beat and off-beat, from which Abby then progressed to introducing extra movements to add more beats, and culminated in her final step. This was based on a relatively simple syncopated step which, with Abby’s additional heel and toe beats, was developed to produce a new and exciting rhythm.  (It also looked pretty impressive too!)

“I came away having learned new moves that will sit comfortably with both Clogging and Flatfooting which I hope to take back to our team (Legs Levens & the Limestone Cowboys) to use in new dances, but I also have something (most definitely, that final step!) to keep practising for my own pleasure.

“Heartfelt thanks to Abby and Sam, and to the Morris Federation for arranging the whole online programme, and especially for including Appalachian Clogging.

From Chris Riley, member of Legs Levens & the Limestone Cowboys and Westmorland Step & Garland Dancers both in Cumbria, and former member (from a long time ago) of Rivington Morris in Lancashire.

Filed Under: News

23 February 2021

More online Talks & Workshops to April

MF winter workshopsIf you fancy diving into some morris history, or sniffing out some old clogs, or maybe you would rather dance a Cotswold jig or get your toes to learn a new clog stepping routine, or try out a new Border style dance, then have a peek at what we have on offer.

Come along to our events (LIVE on Zoom)

Here’s the current list – the ones marked “NEW!” have been added recently.  Click on the links below to find out more and to register.  We are still adding more events, so the latest and correct list will always be at: www.morrisfed.org.uk/events/. Also posted on Facebook at: www.facebook.com/MorrisFed.org.uk.

see all MF events & register

last one in February 2021

  • Workshop – Cotswold – Bledington Jig – Sun 28th Feb 14:00-15:30.  As requested, our monthly Cotswold jig – a chance to learn ‘Lumps of Plum Pudding’ in the style of Bledington.

March 2021

  • Talk – Morris Music – a history – Taborers Society – Sat 6th March 17:00-18:30Three's a Crowd Kennet.  Stephen Rowley on the history of morris music, then how to obtain tabor pipes for anyone wanting to learn (see follow-up workshop on 20th March).
  • 2 Workshops – Clog Stepping for Intermediate – Melanie Barber – Sun 7th & 14th March 11:00-12:30.  Learn the Whitby ‘Toesday’ Waltz for Intermediates, comprising ten steps.  You’ll need a good knowledge of how to do shuffles, swanees and crunches.
  • Talk – Sussex Bonfires – Keith Leech – Sun 7th March 16:00-17:30.  A talk about the huge Guy Fawkes Night celebrations with fires, parades and festivals.
  • Clogs in Britain and BeyondTalk – Clogs in Britain & Beyond – Michael Jackson – Sat 13th March 16:00-17:30.  A brief history of clog making in Britain, including European influences, and wooden footwear around the world.  NEW!
  • Workshop – Fiddle Playing for Morris – Sarah Matthews – Sun 14th March 14:00-15:30.  Lots of hints & tips from Sarah on how to bring life to these ancient pieces of music for dancing to.  NEW!
  • JMO Workshop – Morris Census 2020 Results – Jack Worth – Sat 20th March 14:00-15:30.  Presentation of the key findings, then an opportunity to chat in smaller groups.  NEW!
  • Workshop – Pipe and Tabor for beginners – Taborers Society – Sat 20th March 17:00-18:30.  Learn to play Shepherds’ Hey Bucknell on the pipe and tabor with Andy Richards.
  • Kirtlington and lady of the lambTalk & Workshop – Kirtlington Morris – Sun 21st March 14:00-16:00.  The history of Morris at Kirtlington Lamb Ale in the 17th-19thC, the reconstruction of Kirtlington dances in the 1970s, & the Kirtlington revival.  Including a practical workshop on the dances.
  • Workshop – Cotswold – 2 Ilmington Jigs – Sun 28th March 14:00-15:30. Come along to learn ‘Nelson’s Praise’ and ‘Jockey to the Fair’ in the style of Ilmington.

 April 2021

  • Talk – ‘Merrie England Once More’? The Morris Revival c.1886-1951 – Matt Simons – Sat 3rd April 16:00-17:30.  Born out of a widespread fervour for ‘Merrie England’ – a brief overview of the ‘Cotswold’ revival movement.  NEW!
  • Workshop – Border – ‘Waiting for the Vaccine’ solo dance – Sat 10th April 15:00-16:30.  Linda Glanville & Pauline Woods-Wilson teach a newly-devised solo Border style dance.  NEW!
  • Talk – Good Morning, Lords and Ladies – Gill & Barry Goodman – Sun 11th April 16:00-17:30Adderbury 2018.  The magic, mystery & madness of English traditional customs in story, song & visual images.
  • Talk – The Adderbury Morris Men – Sun 25th April 16:00-17:30. Find out about the Adderbury tradition in Oxfordshire that died out in the 19thC, what sparked its revival in 1975, and what happened next.

see all MF events & register

How to access an event

Register for an event, and a couple of days before we’ll email you a Zoom link to access it, plus another reminder about an hour before.  Don’t worry if you’ve not used Zoom before, we’ll send you some hints & tips.  We are recording some of the events, which will appear on the MF YouTube channel when they have been processed.

Fancy being our Events Officer?

It has been a lot of fun organising these events for you, and we’ve already had requests and volunteers to run online events over Winter 2021/22.  So we now have a role of ‘Events Officer’ up for grabs.  If you fancy making our events happen, which includes liaising with potential speakers/workshop leaders, creating web pages, managing the bookings, emailing registrants and hosting the events, please contact us with info about your experience and what you could bring to the role.

We need your video editing skills!

We’ve been recording most of the online events, but it takes a lot of time to do a professional job on them to edit out all the little interruptions, and add the branding and credits.  If you have some spare time and video editing skills and would like to help improve our videos for posterity, then please contact us with info about your experience and how you could help.

Hope to see you at one of our events soon!

Filed Under: News

10 February 2021

Whittlesea Straw Bear went online in 2021

How to run a festival that is based around a central figure dressed in five stone of straw, that usually depends upon crowding several thousand people into a small Fenland town?  That was the dilemma facing the organisers of Whittlesea Straw Bear near Peterborough – one of the biggest morris and street entertainment events of the year –  as it became clear that live events were not going to be possible in January 2021.

Sarah Sennett, one of the organisers reports …

“Over the summer, we began an 8-month planning process that became Straw Bear Online.

Paul Cornell was the Isolation Bear (photo by Ady Bull)
Paul Cornell was the Isolation Bear (photo by Ady Bull)

“Two things we agreed very early on were that we would try to run our virtual festival in a way that followed the format of the live event as closely as we could, and that we would put a Bear on the streets of Whittlesey in some form.

“The making of the Bear was one of the first things to be finished, mainly by Brian and Christine Kell and Ady Bull, using Brian’s garage as a workshop. Paul Cornell had already offered to be the “isolation Bear”, and a lot of planning was put into a route, risk assessment and whether a small number of the Straw Bearers would be able serve as a distanced audience along the way. However, as December came around and with Tier 4 and lockdown looming, three generations of the Cornell/Randall family pulled out all the stops to take out the Bear on Christmas Eve and film some poignant footage that had several of our YouTube viewers in tears as it formed the finale of the “Processions through the ages” video.

“We were also keen to include some exclusive content that people coming to visit for the weekend might not ordinarily see. “How to build a Bear” and interviews with some of the many people who have driven the Bear over the years were well received, without taking away the mystery of the festival’s central figure. As Brian said: “The driver is not the beast. All the driver does is give the Bear mobility. It’s an entity all of its own.”

The Bear makes its way down Gracious Street (photo by Christine Kell)
The Bear makes its way down Gracious Street (photo by Christine Kell)

“We were also able to bring people together in real time with a selection of Zoom events to choose from. Over 400 people enjoyed two live music sessions led by members of White Rose Morris and the Straw Bearers, who are often found in the Letter B until the small hours of Sunday morning, an at-home ceilidh with top musicians Doug Eunson and Sarah Matthews, with caller Martyn Harvey, and a talk on ’40 years of straw and string’.

“Putting on Straw Bear Online was a huge amount of hard work, alongside our everyday responsibilities of work and home schooling. I should particularly mention Rebecca Kell at this point, who built an entirely new website from scratch and did almost all of the video editing.

The two Bears - grandfather and grandson Paul Cornell and Noah Randall (photo by Megan Randall)
The two Bears – grandfather and grandson Paul Cornell and Noah Randall (photo by Megan Randall)

“It was a trip down memory lane for many, and there were lots of fond reminiscences in the YouTube chat as they recalled past visits and spotted friends now departed in the archive footage. We were delighted to have it re-affirmed that Straw Bear means so much to so many people. It wasn’t quite like being there in person, but it was the most festival-like experience we could put on while staying at home – and it was definitely the warmest Straw Bear ever! And we are all very much looking forward to the time – whenever that may be – that the Straw Bear can once again dance through the streets of Whittlesea.

by Sarah Sennett, member of the Straw Bear Committee

Straw Bear Online took place on 15th-17th January 2021.  Most of the videos are still online, and can be accessed via www.strawbear.org.uk. Here’s looking forward to next year to do it in person.

Filed Under: News

8 February 2021

Making a Giant Puppet – Septimus the Shrewsbury Cobbler

Here’s a review of a talk by Ray and Bev Langton from Shrewsbury Morris about how they ran a project to build a giant puppet – Septimus the Giant Shrewsbury Cobbler.  The project was undertaken with professional puppeteers from Thingumajig Theatre and successful funding applications.  It was held on 7th February and attended by over 40 guests.

Septimus“You are at a Morris practice (remember those?), and it has been announced that you have been invited to perform at an important festival.  You have practised all your dances to perfection and re-invented your processional, but you still feel you need something spectacular to add to the performance.  Among the various ideas put out at random, someone is heard to say, ‘Why don’t we make our own giant?!’  And there is huge enthusiasm.  ‘We can take it to other festivals!’  ‘We can enter in the local carnival!’  ‘We can dance with it around the town!’

“Hang on there!  Before you start, have you considered:

  • How are you going to make it?  You are going to need help.
  • How will you pay for it?  You will have to apply for funding.
  • Where will you make it?  You will need sole use of a venue for at least two weeks.
  • Who is going to make it?  Involve the local community as well as the Morris side.
  • Who is the giant going to be?  It is best if it is connected to the locality and have its own story.
  • How will you perform with it?  You may need new music, dances and performing techniques.
  • And then there is height, weight, animation, portability, transport, ease and speed of assembly, storage …
  • And maybe associated projects: banners, an exhibition, new publicity, new T-shirts …

“All these considerations and more were covered by Bev and Ray Langton of Shrewsbury Morris, when they introduced us to Septimus, the Giant Cobbler of Shrewsbury and took us through the project which led to his construction and eventual first performance.  As Bev said, this was a one-off project that cannot be replicated as it came about through a series of unique features and ‘happy co-incidences’, which included working with Thingumajig Theatre and also tapping into the various skills of members of Shrewsbury Morris whose many talents include story-writing, graphic design and having a contact for hiring sole use of a village hall for two weeks.

Septimus“First, we were given the background.  Ray and Bev were approached at Sidmouth in 2018 by Andrew and Kathy Kim, professional puppet-makers and performers with Thingumajig Theatre, with the idea of collaboration between them, Shrewbury Morris and volunteers from the local community to make an animated giant to be used in performance around the town of Shrewsbury.  This led to successful funding applications from the Arts Council England and Shrewsbury Town Council and vast amounts of planning in terms of logistics, construction and performance.  A character and name were chosen by Shrewsbury Morris and one of their members, a professional writer, wrote his back-story.  New dances and new tunes to be performed with the giant were written and practised upfront.

Septimus head“With two weeks to go until the first performance, Andrew and Kathy moved in and construction began, all recorded by a professional film company.  This film provided the second half of the talk and it was riveting.  With the action speeded-up it enhanced the incredible skills of puppet maker Andrew as he modelled the huge head and beautiful face from wet clay, painted the so-lifelike green eyes and supervised the construction of the frame.

“Thingumajig Theatre specialise in animation, so Septimus was designed to move.  His head was made to turn and his arms to move individually, each moved by separate puppeteers.  Meanwhile, teams of pattern makers and sewing machine operators were working on the clothes and flags. Everything was finished late in the evening, the day before the first performance in The Square, Shrewsbury, when Septimus was introduced to the town.

Septimus the Giant Shrewsbury Cobbler“So what did we all take away from this talk?  We certainly learned the complications and considerations involved in making a giant and in devising a wider project.  But we also learned that, although giants may not be within reach of every Morris side, we all have our own talents, interests and creative abilities that can be used to make or create something that that will compliment and enhance our performance and that will become unique to us.  We were encouraged to involve other artists in performances and days of dance, and to get to know and work with our local community.  So look forward to some exciting shows when we all get back onto the streets again.

“Thank you, Ray and Bev, for your practicality and your inspiration.

by Gail Duff, Rabble Folk Theatre in Maidstone, Kent

Thingumajig Theatre are professional puppeteers who worked with Shrewsbury Morris to build Septimus.  Like so many professional artists, puppeteers and performers, they have lost so much of their work since March 2020.  Participants helped buy them a few coffees: https://www.buymeacoffee.com/ThingumaTheatre/we-love-puppets-puppeteers-need-coffee

Resources:  On the Shrewsbury Morris website www.shrewsburymorris.co.uk, if you hover over the tab for ‘Septimus the Giant Shrewsbury Cobbler’ you will find 3 sub-sections:

  • The Making of Septimus – see the 12 min video: https://youtu.be/KPL5xKIv02E
  • The Inaugural Performance of Septimus – see the 3 min video: https://youtu.be/RrL0w0cXp5U
  • Septimus – The Exhibition

Thingumajig Theatre is a visual theatre company based in West Yorkshire, specialising in creating and performing innovative puppet plays and interactive giant puppets.  Photos and info about Thingumajig Theatre’s other exciting past projects may be found at: http://thingumajig.info/past-projects/

Filed Under: Current Members, News

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News

Virtual Ceilidh Calling Workshop

8 February 2021

Learning the ‘Lockdown’ dance for 4 by Chinewrde

5 February 2021

Finding Morris Dancing in Archives, by Jameson Wooders

2 February 2021

Upcoming Events

  1. Talk – Morris Music – a history – Taborers Society (LIVE on Zoom)

    Saturday 6 March @ 5:00 pm - 6:30 pm
  2. Workshops – Clog Stepping for Intermediate – Melanie Barber (LIVE on Zoom)

    Sunday 7 March @ 11:00 am - 12:30 pm
  3. Talk – Sussex Bonfires – Keith & Heather Leech (LIVE on Zoom)

    Sunday 7 March @ 4:00 pm - 5:30 pm
  4. Talk – Clogs in Britain & Beyond – Michael Jackson (LIVE on Zoom)

    Saturday 13 March @ 4:00 pm - 5:30 pm
  5. Workshop – Fiddle Playing for Morris – Sarah Matthews (LIVE on Zoom)

    Sunday 14 March @ 2:00 pm - 3:30 pm

View All Events

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